Since 2006, I’ve been working as a freelance writer and editor, working on newsletters, essays, interviews, and articles. I’ve also provided writers with feedback and ghostwritten for memoir projects. Here is a sampling of those writings published under my former last name.
“When Free Writing Will Not Make You Free,” Brevity Magazine
In July 2013, I ran a marathon up Mount Adams near Trout Lake, Washington. Nobody questioned my physical prowess, because the accomplishment was indisputable. But, if you actually pressed your fingers against my belly, you would have felt pudge, and you probably would have been surprised to not feel functioning abdominal muscles (you’d also be surprised to have your fingers on the belly of someone you had just met, but let’s skip that part). My abs weren’t important unless I found myself in the plank position, and why would I attempt plank when I could lie down, sit or run 13 miles? I learned how to engage my gluteal muscles for the first time in early 2014, when my new gym membership included sessions with a personal trainer. However, the fact still stands that I was able to complete a mountain marathon with scant help from my abs or glutes.
“The Catch,” published in Two Hawks
When you were ten you caught a fish
and showed your parents that pink flesh.
They whooped loud, mercury eyes! Silver guts!
That day all guzzled more than enough.
and that night, you grasped a new way to sit
that made the family round and perfect.
“Relearning Solitude,” Russian translation published in the “Penguin Anthology of Russian Literature”
I’ve been trained in solitude.
I understood once how it went,
knew this job:
waking up earlier, laying down later,
with no one to bother,
and delighted
by no one.
“Regarding the Dead Lobster on 60th and Stark Street” and others, published in Prime Number Magazine
I don't know why it's there either.
His thick shell has turned maroon.
Flies circle the fetid patch of pavement.His feelers
Fell limp, green, down. He makes me think
Of you.
“The Meek Shall Inherit,” published in Drunken Boat
The whole earth? I’ll take one plot,
Small, to die into and one to dance
Upon. Beyond that,
If you’ve got plenty of nothing,
Well, that’s something, in fact. Devil you know aside,
There’s a way that havings string
“The Butterfly,” translation from Russian, runner up for Spender/Brodsky Translation Prize
Shall I say that you are dead?
But you lived just a day.
The joke played
by the Creator is so sad.
“On the Death of a Difficult Parent,” published in Water~Stone Review
Abstract nouns serve me poorly when I speak of my father. Consider these: autodidact, addict, narcissist, scholar, suicide. I want a clearer picture of that afflicted human who made me. So in this piece, I will compare the death of my father, William Cameron Pulman Jr., also known as Bill, with the death of my guinea pig Harry, who was alternately known as Prince Harry, Harry B., Ice-Cold-Rapper-Harry, and the Queen.
“Warning Label,” published in the Los Angeles Review
If my face were my heart, I would tear it to ribbons. If I could pick it open to reveal its insides, sear it with a hot compress, slow it with an ice pack, prick it with needles to release the infection—more exactly, the grief— or pinch it till it bled, it wouldn’t be beating now. The exposed parts of me have been healed through time and the help of an incredible aesthetician. Most of the inner parts have healed through a similar delicate and aggravating process
“Nobody,” published in VoiceCatcher
You go to Thessaloniki, Greece. Not to the parts of Greece rebuilt to escort tourists towards white statues of petty gods that no one believes in anymore, but Greece where the Grecians live and the water meets them.
“Prelude to the Performance,” published in Under the Gum Tree
I insert my fare card and two wings open wide enough for me to pass through Farragut West station towards the Kennedy Center. Gleaming in the silver dress my grandmother found at the Jewish women’s resale store and forty-five minutes away from my fifteenth opera, I am ready…
Distraction Markers: Three Looks for Your Office
Architects, contractors, and building managers in New York and New Jersey who design and build office buildings need to keep distraction markers in mind when they make their plans. Distraction markers are an important part of code and need to be in place.
“Six Reasons Everyone Wants to Know About Installing Smart Film,” Layr blog
Companies are embracing using smart film, also known as switch or switchable film, worldwide. For one thing, the aesthetics are impressive and for another, it offers instant privacy, which is attractive no matter what industry you work in.
“Bird Safety Window Film Keeps Birds in the Air Where They Belong,” Layr blog
Did you know that one billion birds are killed in collisions with glass each year?
NYC Audubon estimates that in New York City, between 90,000 and 230,000 birds are killed each year. That’s a large impact not only to our feathered friends, but to biodiversity on the whole.
“Hotels Modernize with Smart Window Film,” Layr blog
Hotel guests have an unforgettable experience when one moment, they look out on an expansive cityscape and the next, they flip a switch to have immediate privacy.
"Interview with David Biespiel," The Writer's Chronicle
“David Biespiel was born in 1964 and grew up in Houston, Texas. He is a poet, literary critic, memoirist, and contributing writer at The Rumpus, American Poetry Review, Politico, New Republic, Slate, Poetry, Bookforum, and The New York Times, among other publications. He is the author of numerous books, most recently Charming Gardeners and The Book of Men and Women, which was chosen one of the Best Books of the Year by the Poetry Foundation.”
“Dream-Cheating with Jay Ponteri,” Interview for Oregon Arts Watch
“Confession: From his prose, I wasn’t expecting Jay Ponteri to meet me so freshly groomed, polite, and soft-spoken.
It was sloppy for me to assume that Ponteri, the director of Marylhurst University’s undergraduate creative writing program, would appear slovenly or depressive or altogether not-hip in the fashion that he portrayed himself to be in “Wedlocked.”
“Kirtan, Kavenah, and Community,” Newsletter Column for Congregation Shir Tikvah
“I was once at a yoga studio where I had recently become a regular and saw, three mats away, the teacher whose class I had regularly attended…”
“When Free Writing Will Not Make You Free: Resistance Training for Writers,” Essay for Brevity Magazine
“In July 2013, I ran a marathon up Mount Adams near Trout Lake, Washington. Nobody questioned my physical prowess, because the accomplishment was indisputable. But, if you actually pressed your fingers against my belly, you would have felt pudge, and you probably would have been surprised to not feel functioning abdominal muscles (you’d also be surprised to have your fingers on the belly of someone you had just met, but let’s skip that part).”
“Multnomah Arts Center’s Youth Arts Program: Puppets Connect Our Local Youth,” Article for Portland Parks and Recreation
“There’s something wonderful about puppets. You’ve probably had the pleasure of slipping a puppet onto your hand or finger or placing a mask on your face. Or you’ve drawn a mouth and eyes on a paper bag and voila! Suddenly you’ve found another voice and persona, and with these, a new way to connect.”
“Poetry and art from the archives of Big Brother,” Interview with Kaia Sand for Oregon Arts Watch
“Before entering the Portland Archives and Records Center on the fifth floor of the PSU’s Student Recreation Center, I had to leave my purse in a locker, hand over my driver’s license, sign a form, and promise not to lick my fingers before touching anything, which is apparently a common unconscious gesture.”