Since 2006, I’ve been working as a freelance writer and editor, working on newsletters, essays, interviews, and articles. I’ve also provided writers with feedback and ghostwritten for memoir projects. Here is a sampling of those writings published under my former last name.

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“When Free Writing Will Not Make You Free,” Brevity Magazine

In July 2013, I ran a marathon up Mount Adams near Trout Lake, Washington. Nobody questioned my physical prowess, because the accomplishment was indisputable. But, if you actually pressed your fingers against my belly, you would have felt pudge, and you probably would have been surprised to not feel functioning abdominal muscles (you’d also be surprised to have your fingers on the belly of someone you had just met, but let’s skip that part). My abs weren’t important unless I found myself in the plank position, and why would I attempt plank when I could lie down, sit or run 13 miles? I learned how to engage my gluteal muscles for the first time in early 2014, when my new gym membership included sessions with a personal trainer. However, the fact still stands that I was able to complete a mountain marathon with scant help from my abs or glutes.

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“The Catch,” published in Two Hawks

When you were ten you caught a fish

and showed your parents that pink flesh.

They whooped loud, mercury eyes! Silver guts!

That day all guzzled more than enough.

and that night, you grasped a new way to sit

that made the family round and perfect.

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“On the Death of a Difficult Parent,” published in Water~Stone Review

Abstract nouns serve me poorly when I speak of my father. Consider these: autodidact, addict, narcissist, scholar, suicide. I want a clearer picture of that afflicted human who made me. So in this piece, I will compare the death of my father, William Cameron Pulman Jr., also known as Bill, with the death of my guinea pig Harry, who was alternately known as Prince Harry, Harry B., Ice-Cold-Rapper-Harry, and the Queen.

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“Warning Label,” published in the Los Angeles Review

If my face were my heart, I would tear it to ribbons. If I could pick it open to reveal its insides, sear it with a hot compress, slow it with an ice pack, prick it with needles to release the infection—more exactly, the grief— or pinch it till it bled, it wouldn’t be beating now. The exposed parts of me have been healed through time and the help of an incredible aesthetician. Most of the inner parts have healed through a similar delicate and aggravating process

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“Nobody,” published in VoiceCatcher

You go to Thessaloniki, Greece. Not to the parts of Greece rebuilt to escort tourists towards white statues of petty gods that no one believes in anymore, but Greece where the Grecians live and the water meets them.

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"Interview with David Biespiel," The Writer's Chronicle

“David Biespiel was born in 1964 and grew up in Houston, Texas. He is a poet, literary critic, memoirist, and contributing writer at The Rumpus, American Poetry Review, Politico, New Republic, Slate, Poetry, Bookforum, and The New York Times, among other publications. He is the author of numerous books, most recently Charming Gardeners and The Book of Men and Women, which was chosen one of the Best Books of the Year by the Poetry Foundation.”

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“Dream-Cheating with Jay Ponteri,” Interview for Oregon Arts Watch

“Confession: From his prose, I wasn’t expecting Jay Ponteri to meet me so freshly groomed, polite, and soft-spoken.

It was sloppy for me to assume that Ponteri, the director of Marylhurst University’s undergraduate creative writing program, would appear slovenly or depressive or altogether not-hip in the fashion that he portrayed himself to be in “Wedlocked.”

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“When Free Writing Will Not Make You Free: Resistance Training for Writers,” Essay for Brevity Magazine

“In July 2013, I ran a marathon up Mount Adams near Trout Lake, Washington. Nobody questioned my physical prowess, because the accomplishment was indisputable. But, if you actually pressed your fingers against my belly, you would have felt pudge, and you probably would have been surprised to not feel functioning abdominal muscles (you’d also be surprised to have your fingers on the belly of someone you had just met, but let’s skip that part).”

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“Multnomah Arts Center’s Youth Arts Program: Puppets Connect Our Local Youth,” Article for Portland Parks and Recreation

“There’s something wonderful about puppets. You’ve probably had the pleasure of slipping a puppet onto your hand or finger or placing a mask on your face. Or you’ve drawn a mouth and eyes on a paper bag and voila! Suddenly you’ve found another voice and persona, and with these, a new way to connect.”

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